Capture stunning cinematic images with a vintage anamorphic look using this PAVO 28mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.

The lens can focus at a very close range, circumventing limitations often experienced with certain anamorphic lenses, and its low-distortion barrel design retains all the desirable attributes of anamorphic shooting without sacrificing image quality. The PAVO’s PL mount can quickly be switched to an EF mount using the included EF bayonet. Focus marks are defined in feet, and the compact size and lightweight design of the lens make it an ideal option for cameras mounted on drones, mechanical and electronic stabilizers, and in handheld situations where keeping weight to a minimum is critical.

Capture stunning cinematic images with a vintage anamorphic look using this PAVO 32mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.

The lens can focus at a very close range, circumventing limitations often experienced with certain anamorphic lenses, and its low-distortion barrel design retains all the desirable attributes of anamorphic shooting without sacrificing image quality. The PAVO’s PL mount can quickly be switched to an EF mount using the included EF bayonet. Focus marks are defined in feet, and the compact size and lightweight design of the lens make it an ideal option for cameras mounted on drones, mechanical and electronic stabilizers, and in handheld situations where keeping weight to a minimum is critical.

Capture stunning cinematic images with a vintage anamorphic look using this PAVO 40mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.

The lens can focus at a very close range, circumventing limitations often experienced with certain anamorphic lenses, and its low-distortion barrel design retains all the desirable attributes of anamorphic shooting without sacrificing image quality. The PAVO’s PL mount can quickly be switched to an EF mount using the included EF bayonet. Focus marks are defined in feet, and the compact size and lightweight design of the lens make it an ideal option for cameras mounted on drones, mechanical and electronic stabilizers, and in handheld situations where keeping weight to a minimum is critical.

Capture stunning cinematic images with a vintage anamorphic look using this PAVO 55mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.

The lens can focus at a very close range, circumventing limitations often experienced with certain anamorphic lenses, and its low-distortion barrel design retains all the desirable attributes of anamorphic shooting without sacrificing image quality. The PAVO’s PL mount can quickly be switched to an EF mount using the included EF bayonet. Focus marks are defined in feet, and the compact size and lightweight design of the lens make it an ideal option for cameras mounted on drones, mechanical and electronic stabilizers, and in handheld situations where keeping weight to a minimum is critical.

Capture stunning cinematic images with a vintage anamorphic look using this PAVO 75mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.

The lens can focus at a very close range, circumventing limitations often experienced with certain anamorphic lenses, and its low-distortion barrel design retains all the desirable attributes of anamorphic shooting without sacrificing image quality. The PAVO’s PL mount can quickly be switched to an EF mount using the included EF bayonet. Focus marks are defined in feet, and the compact size and lightweight design of the lens make it an ideal option for cameras mounted on drones, mechanical and electronic stabilizers, and in handheld situations where keeping weight to a minimum is critical.

Capture stunning cinematic images with a vintage anamorphic look using this PAVO 100mm T2.4 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this blue-coated lens has a maximum aperture of T2.4 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant blue horizontal flares.

The lens can focus at a very close range, circumventing limitations often experienced with certain anamorphic lenses, and its low-distortion barrel design retains all the desirable attributes of anamorphic shooting without sacrificing image quality. The PAVO’s PL mount can quickly be switched to an EF mount using the included EF bayonet. Focus marks are defined in feet, and the compact size and lightweight design of the lens make it an ideal option for cameras mounted on drones, mechanical and electronic stabilizers, and in handheld situations where keeping weight to a minimum is critical.